Matthew Passantino

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Reviews

Review: ‘It’ Will Satisfy Horror Fans

Reviews

Review: Robert Pattinson is a Revelation in ‘Good Time’

Reviews

Review: ‘A Ghost Story’ is a Beautiful Examination on Space and Time, Life and Death

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Review: ‘Girls Trip’ is the Best Comedy of 2017, So Far

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Review: ‘Blind’ is an Ill-Conceived Romantic Drama

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Review: ‘The Little Hours’ is a One-Note Sex Comedy

Reviews

Review: ‘Okja’ is Netflix’s Prized Pig

Reviews

Review: ‘The Exception’ is Christopher Plummer’s Show All The Way

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Review: ‘Wonder Woman’ Rescues the Superhero Genre

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Review: ‘War Machine’ Brings Brad Pitt to Netflix With Mixed Results

Reviews

Review: ‘Guardians of the Galaxy Vol. 2’ is Uneven But Good Enough

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Tribeca Review: ‘Permission’ is a Lovely Film About Love and Self-Identity

Reviews

Tribeca Review: ‘Psychopaths’ is a Fun, Retro Horror Flick

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Tribeca Review: ‘Flower’ is Zoey Deutch’s Latest Stop to Stardom

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Tribeca Review: ‘Super Dark Times’ is an Enjoyable B-Movie

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Review: ‘The Fate of the Furious’ is More of the Same and That’s Okay

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Review: ‘The Void’ Takes Off, Misses Landing

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Review: ‘The Discovery’ Asks Big Questions, Answers Some of Them

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Review: ‘Kong: Skull Island’ Doesn’t Live Up to the Hype

Reviews

Review: ‘Raw’ is an Uneven Cannibal Coming-Of-Age Story

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Review: ‘Logan’ is Tedious and Self-Serious

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Review: ‘Get Out’ Brings Thrills and Chills from Jordan Peele

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Review: ‘Fist Fight’ is as Lame as Comedies Get

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Review: ‘Fifty Shades Darker,’ or the Taming of Mr. Grey